Last week, I introduced Lauren Steinhardt, and shared her background and thoughts about designing bike clothing for women. Catch up on Talking with a Bike Clothing Designer – Part 1, if you haven’t read it yet.
This week, Lauren shares some trade secrets about the sports clothing industry, her research into what women like to wear while biking, and how the fashion industry predicts trends.
How did you end up designing bike clothing? What was your Master’s thesis research like? What prompted it?
I’m big into utilitarian design, reuse and recycling, and living lightly upon the earth. But I’m also a Libra, and I like things to look pretty (seriously, it’s bizarre how many clothing designers are Libras). I had a huge collection of pretty vintage skirts and dresses, and I started making these little bloomer/pantaloon things to wear under them for biking, that I made out of vintage or thrifted fabric. Then I started selling them at craft fairs, but I quickly found that it’s hard to grow from that size because the options for small-scale manufacturing are nonexistent in this country. (Though that’s slowly changing, and I’m very excited about that). I decided to go back to school for clothing design, and realized that instead of going to a debt-factory private college for a grossly overpriced associate’s degree, I could actually get a Master’s degree and do my own research, all without going into crazy amounts of debt.
My Master’s thesis research was one of the most amazing experiences of my life! I did qualitative research, which means I actually sat down and interviewed people and then reviewed what they told me. I interviewed about a dozen women, who were so kind and supportive of my project. They invited me into their homes, made me tea, spent a long time discussing what they wore to bike to work and how they felt about it. In the end I felt like I really touched upon a need and a subject that doesn’t get enough attention. I also did a lot of research into the historical connection between bikes, the dress reform movement, and first-wave feminism, which is absolutely fascinating.
How many designs to fashion designers for a company like REI do per season that don’t get used? How far in advance do they design?
This can vary depending on circumstance and the way a particular company operates. Usually, we have what’s called a line plan that is created with the merchandising team, which gives the basic outline of what new styles we will be doing that season (example, three men’s tees, men’s MB shorts and jersey, etc). Sometimes with something like tees, we’ll design more than we need and sort through them to choose the best ones. Sometimes we’ll do a totally new style or range of styles, but then the budget will change and the styles will be dropped before production, or pushed back to another season. In a bigger company and especially with technical performance pieces, the development cycle can be at least a year out and sometimes as long as 18 months.
Do designers look to current shapes and colors; New York Fashion Week; etc? Check out the Pantone Color of the Year? Are they influenced by professional athletes, and what they wear?
First I’d like to say that these are great questions! I’m glad to share a little peek into how the clothing “sausage” gets made, and maybe get people thinking a little bit about the consumer decisions they make.
I mentioned earlier that many companies have a long development cycle. Because of this, most companies use style forecasting services like WGSN to predict trends in color, silhouette, and consumer interests. Really there are only a handful of these forecasting companies, so most clothing companies are relying on the same trend forecasting data, which is why there are consistent themes across various brands in a given season. In the active/outdoor/bike market we also pay attention to tech and performance trends. Trade shows like Outdoor Retailer and Interbike are a good place to get the scoop on that.
Another aspect that goes into design choices for performance/active/outdoor clothing is that it can be fairly expensive, and most people purchase it as a well-researched investment piece. If it’s too overtly trendy it can be a turn-off for the consumer because they want to wear it for a long time without looking dated. Thus, trends move slowly in the outdoor industry.
Most professional athletes are sponsored by major activewear brands, which can be great brand publicity. For instance, Nike outfits everyone from Tiger Woods to Serena Williams, and Burton does the US Olympic snowboarding team. These partnerships can definitely drive innovation that filters down to the consumer level.
Women’s urban bike clothing is still a fairly niche market. How have you seen it grow in the years you’ve been designing?
I thought Novara’s urban line was just delightful, and I am so happy that I got to be a part of it. I hope they keep doing it! Right now it seems that women’s urban cycling is still too small of a market for the big guys to pay attention. But in a way I think this is a blessing, because it’s keeping the door open for smaller, women-owned companies to get a toehold and become industry leaders.
Thank you again, Lauren, for your insights into the world of women’s bike clothing! This has really helped me see lines including the Novara line differently. Maybe I’ll complain less about what is being offered, knowing a bit about what goes into making each garment. And I will definitely do what I can to support smaller, women-owned companies become industry leaders!